भारतीय संगीत में आध्यात्मिकता स्रोत

Indian music is basically spiritual music. Indian music is considered to be the path of attainment of God, then somewhere it is considered as God. Spirituality means to put one's mind to God and to interview the person with God is called spirituality Music is worshiped as a means of spiritual expression. Music is considered to be the most powerful medium for converting the mind to worship God. In the Vedas, the way of worship is said to be very easy and a direct way to establish direct contact with God. Music has also adopted the path of worship.

Indian culture is famous in the world with features like Sujalam, Suflaam and Shashyamalam. And spirituality is the biggest and fundamental feature of Indian culture. The history of India has been a witness to the fact that Indian culture is alive today. Indian culture is alive today because of its spirit and faith. She has been reputed and developed even after the decline of Indian culture due to repeated invasions on India. It is necessary to say here that music has played a major role in the upliftment of Indian culture.

The purpose of Indian music is to pacify the fickle memories of human beings, to upgrade the divine spirit, to create a sense of ecstasy and world welfare i.e. Sarve Bhavantu Surveena and Vasudhaiva Katumbakam. The sages of India have considered music as the best and simplest means of attaining God. That is why it has been said: -

Veena Vadan Tattvaksha: Shruti caste Visharadah.

Talyagashya Prayasen Moksamargan Nigachti:॥

That is to say, the harpist, the sruti and the caste i.e. those who know the vowels and the person trying in the practice of playing the rhythm, moves towards the moksamarga.

In India, music has been used by philosophers, yogis and devotees to achieve bliss and ecstasy. The general public also made music a means of religious and social celebrations and personal entertainment. But the goal of music in these levels was spirituality. Music consists of singing and dancing. Singing, playing and dancing are the main goals. To achieve self-satisfaction, self-pleasure and ecstasy. Music provides this extreme joy and full earth experience. The goal of music is to be free from obstacles, to meet souls with God, to attain superpower and salvation. Music has immense power to interview God. Which has been experienced by the sages and sages of India.

Music controls the fickle human emotions. The melody and rhythm of music converge the mind and make it so absorbed and stable that all the playful forms of the heart calm down and make the soul absorbed into the divine. Singers, instrumentalists and dancers from India have recognized the soul of music. Music like life is the sound of the Brahmo and Saraswati. In whose vowels all the currents of the joy of the world take form. There are seven distinct tones in Indian music. Sa, re, c, m, p, dh, ni. Due to the adjustment of different types of these seven vowels, various ragas were formed and the result of different sound waves generated in the singing of these ragas falls on human, animal, nature and it has also been very closely monitored by us. Some such examples are presented here. first instance-

Renowned musician Pt Onkar Nath Thakur went to attend the All World Music Conference held in Florence (Italy) in 1933. At that time Mussolini was the dictator there. At that time, while meeting Mussolini, Panditji told about the importance of Indian ragas. To this Mussolini said, I have not been able to sleep for a few days. If there is some specialty in your music, then tell me. On this, Pt Omkar Nath Thakur took Tanpura and started singing Raag Puriya. Within a short time Mussolini fell into deep sleep. He later praised Bhutti for Indian music and ordered the Principal of the Royal Academy of Music to record Panditji's voice and script. Second example - Sriman conducted an experiment at Sri Aurobindo Ashram in Pondicherry. Sows were sown between the same type at two places in a field and played pop music in front of one of them and Indian music in front of the other.

But the surprise was that the plant where pop music played was unbalanced and its addresses were torn apart. Where Indian music played, the plant was balanced and its addresses were full-sized. Seeing this, Shri Ma said, both the music has an effect on the internal personality of the human being in the same way. The way it appears on these plants. We find many references of singing and playing of various ragas from ancient times. There are different ragas in the morning, evening, joy, mourning, enthusiasm, compassion and different themes. The effect of different ragas is also different, such as: - There is mention of lamp burning from Deepak Raga and rain from Megh Malhar.

Music is a spiritual food of the soul. The origin of Brahma's supreme sacred Pranava nad Onkar (Un) is believed to have originated with creation. The seven tones of Indian music not only affect our physical nerves, but also suppress animalistic forms and also infuse spiritual and satvic thoughts into us. Yogis of India have considered the origin of the seven vowels from the seven compound cycles of the human body. When the vocals are played, the movement in the vowels is different in different numbers, their vibrations have an effect on the compound chakras of the human body, with this vowel worship, human beings move from hurt sound to anahat nad. Yogis

Music is nad yoga in the language of. The Seven Yogic Chakras are horoscope-like in the seven places of the human body. As the yogi collects the developed powers from the seven compound places, the power goes up from the bottom centers of the human to the top centers as they do upward. Ultimately, when the Saptachakra is penetrated, Shiva Shakti means spiritual power, the Sapta chakras from which the origin of the Sapta vowels is assumed, or the origin of the vowel is assumed to be from the Muladhara chakra, ie the center of Sa is Muladhara.

Muladhara Chakra has anal place in our body. When the movement of Sa i.e. vibration increases, the sound of Rishabh (ray) is produced. The center of which is believed to be the Swadhisthana Chakra. Ray starts producing juice. The place of health is fixed just above the genitals in the body and on the bone of the bone. Gandhara vowel originates from the Manipur Chakra. Awakening of the fire element is done by the melodious voice, the origin of the Brahm originates from the Manipur Chakra. The location of the Manipur Chakra is in the navel in the body. The origin of the middle (m) vowel is called the Anahata Chakra. Whose place is inside the spinal cord in the middle of the chest. The Anahata Chakra divides the body into two parts. The middle tone creates a rhythm. This rhythm is called mankar. Due to which the feeling of anaadh nad starts. The fifth voice originates from the Vishuddhi Chakra. Whose place is in the throat (near thyroid). P means Prana, the Vishuddhi Chakra consists of 16 small pumps. Those who control Prana Vayu. Riyaz is required in singing music. These pamphlets are cremated by Riyaz and awaken the origin of the fifth voice and the purification cycle. After the birth of the fifth voice, a person moves towards meditation, when he becomes absorbed in the same meditation, the dhvat (dh) voice is produced from the command cycle and the person becomes introverted. The location of the command cycle is between the two brothers. Where Tilak is applied. It is said to be the abode of Lord Shiva (Rudra Granthi) here. With the attention of this devotee, that is, the awakening of the cycle of command has led to great poets and musicians such as Surdas. The seventh voice is Nishad, which originated from the Sahasjara Chakra. The location of the Sahastra Chakra is the upper part of the head where the peaks are placed. This place is called Kripal. With the worship of Nishad, a person reaches a state of indifference. Only then has it been said, 'Nirlipat samadhina', that is, one who leaves the worldly pleasures and reaches the state of samadhi. The rhythm of reaching this state is helpful when the vibration is produced in the rhythm, then the Muladhara Chakra is awakened and this special vibration awakens all the chakras and increases the human sleepless state, that is, the path of salvation.

The gross body has three glands (atindria). These glands are known as Brahma, Vishnu and Rudra and symbolize the level of consciousness where attachment to Maya, ignorance and worldliness prevails over Brahma Gandarthi in place of Muladhara Chakra from where the Dayadaja Vowra Originates. Its relation to physical enjoyment. Is from material and achievements. Tamoguna prevails in this gland. The Vishnu gland controls the Anahata Chakra. The medium (m) vowel also originates from the Anahata Chakra. It is related to emotional attachment and attachment to each other and internal psychic experiences. It is related to Rajoguna. The Rudra gland remains active in the area of ​​the command cycle, and a positive voice is produced from the command cycle, it is related to the sense of sensory feeling and feelings of monotony. In this state one renounces one's ego. And the dualism goes beyond the intellect and the direction of spiritual life increases. In this way it is possible to relate to the divine through music with compound verbs.

It is well known that Adi Guru of Tandava and Lasya dance is Lord Shankar and Parvati. Murali Manohar Bhagwan Krishna, who composed Raasan in Vrindavan with nine Latv gopis, is just as an embodiment of music. Maa Saraswati has been called the goddess of music and Maa Saraswati is worshiped as the goddess of learning and music. Whether devotion is nirgun or saguna lakshana, everyone is one. In the Srimad Bhagavatam, the law of Navadha Bhakti has been told that it also means to establish a relationship with God. Kirtans have been considered the most popular means of devotion. Shri Bhadratkar in his book ÷ Vaishnavism, Rau Vism and Under Minor Religious Systems' has accepted that Kirtan was first created by Chaitanya Mahaprabhu. Chaitanya Mahaprabhu Jagannath used to be chanted many times in the Puri, called Jag-Jag. Surdas, Tulsi, Meera etc. had insights through which they had visions of God and also made them public. Therefore, devotional music has also been the medium of attaining God in India and many other countries. The history of the world bears witness that in the ancient era, music of any country, whether it was temporal or spiritual, but it was filled with devotional spirit. Music is a feeling and the feeling is related to the soul. According to Indian philosophy, the soul is sashidanandamaya. Indian music is such a spiritual force where the entire creation has realized not only physical but also self-realizing pleasures.

Author Bhoomesh Kumar