Jitendra Abhisheki
Ganesh Balawant Nawathe, better known as Pandit Jitendra Abhisheki (21 September 1929 – 7 November 1998), was an Indian vocalist, composer and scholar of Indian classical, semi-classical, and devotional music. While he distinguished himself in Hindustani music, he is also credited for the revival of the Marathi musical theatre in the 1960s. Jitendra Abhisheki has been praised as being "among the stalwarts of Hindustani classical music who mastered other musical forms such as thumri, tappa, bhajan, and bhavgeet. His work in Marathi natyasangeet is well-known."
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Pandit Vikash Maharaj
Pandit Vikash Maharaj (born 1 July 1957 in Varanasi, India) is an Indian Sarod player and composer. In his childhood, he initially learnt to play the Tabla and then discovered and studied the Sarod as his preferred instrument.
Pandit Vikash Maharaj is an internationally recognized instrumentalist and philanthropist.
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Debasmita Bhattacharya
Debasmita had her initiation in music from her father sarod player Pandit Debasish Bhattacharya who is the seniormost disciple of Padma Bhusan Pandit Buddhadev Dasgupta of the Senia Shahjahanpur gharana.
She received training from Legendary Sarod Maestro Pandit Buddhadev Das Gupta for 15 Years. She is an 'A' grade scholar of the ITC Sangeet Research Academy where she continues to learn from her illustrious Guru. She has completed her Masters in music with a gold medal from Rabindra Bharati University and is currently pursuing a Ph.D there.
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Ghulam Hasan Khan
A short introduction of Ghulam Hasan Khan;
Ghulam Hasan Khan the eminent young classical vocalist, is a living embodiment of thecontinuity of Indian Music tradition through heritage. In an era when music has been reduced tomere entertainment, Ghulam Hasan Khan is a moving and reassuring example of uncompromising purity. Ghulam Hasan Khan is a young and extremely talented Hindustani Classical vocalist of India.
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Smt. Bharati Prathap
Bharathi Prathap, an Electronics engineer by qualification, was initiated into Carnatic classical music at a young age of 7 and later switched over to Hindustani classical music under the late Pt. Maruti Rao Inamdar at Davangere and continued her training under the late Pt. Rama Rao Naik, a doyen of the Agra Gharana in Bengaluru. Bharathi also trained in Bhavageethe & gaayana under Sri H.K.Narayana.
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राग परिचय
हिंदुस्तानी एवं कर्नाटक संगीत
हिन्दुस्तानी संगीत में इस्तेमाल किए गए उपकरणों में सितार, सरोद, सुरबहार, ईसराज, वीणा, तनपुरा, बन्सुरी, शहनाई, सारंगी, वायलिन, संतूर, पखवज और तबला शामिल हैं। आमतौर पर कर्नाटिक संगीत में इस्तेमाल किए जाने वाले उपकरणों में वीना, वीनू, गोत्वादम, हार्मोनियम, मृदंगम, कंजिर, घमत, नादाश्वरम और वायलिन शामिल हैं।