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Style of Dadra is very similar to Thumri but the tempo of Dadra is faster than Thumri thus it allows more freedom to be playful with musical note. The pivotal emotion is ornamentation. Dadra style is sung in Dadra taal itself. Dadra taal is fast and playful in nature. Songs based on dances and ornamentations are mainly sung in this. Let’s know a little bit about Rag Bhairavi before listening to Dadra based on it. Rag Bhairavi has incepted from Bhairavi thhat (Family). In this Rag, Re (Re), Ga (Me), Dha (La) and Ni (Ti) are used as sharp denoted here with #. It is Sampurna in nature.

Style of Dadra is very similar to Thumri but the tempo of Dadra is faster than Thumri thus it allows more freedom to be playful with musical note. The pivotal emotion is ornamentation. Dadra style is sung in Dadra taal itself. Dadra taal is fast and playful in nature. Songs based on dances and ornamentations are mainly sung in this Rag. Let’s have some short but basic information about Rag Hamir before we listen to the Dadra based on this Rag. The very inception of Rag Hamir is from Kalyan That.

Style of Dadra is very similar to Thumri but the tempo of Dadra is faster than Thumri thus it allows more freedom to be playful with musical note. The pivotal emotion is ornamentation. Dadra style is sung in Dadra taal itself. Dadra taal is fast and playful in nature. Songs based on dances and ornamentations are mainly sung in this. Let’s have some short but basic information about Rag Mishr Kafi before we listen to the Dadra based on this Rag. Rag Kafi originated from kafi That. Pancham, which is Pa (Soh) is amply used in this rag.

Style of Dadra is very similar to Thumri but the tempo of Dadra is faster than Thumri thus it allows more freedom to be playful with musical note. The pivotal emotion is ornamentation. Dadra style is sung in Dadra taal itself. Dadra taal is fast and playful in nature. Songs based on dances and ornamentations are mainly sung in this. Let’s have some short but basic information about Rag Des before we listen to the Dadra based on this Rag. Gandhar (Me) and Dhaiwat (La) are prohibited in the ascension of this Rag, both Ni (Ti) notes are applied and rest all nots are natural.

Style of Dadra is very similar to Thumri but the tempo of Dadra is faster than Thumri thus it allows more freedom to be playful with musical note. The pivotal emotion is ornamentation. Dadra style is sung in Dadra taal itself. Dadra taal is fast and playful in nature. Songs based on dances and ornamentations are mainly sung in this Rag. Let’s have some short but basic information about Rag Khamaj before we listen to the Dadra based on Rag Des. The Wadi and samwadi swaras of Rag Khamaj is Gandhar and Nishad respectively.

Kajri is semi classical style of music. It is a well-known folk genre evolved eventually from the folk of Uttar Pradesh, one of the Indian states. It is mainly sung during the rainy season which is mid-July to mid-August according to English calendar. Now, let have a brief information about Rag Mishr Peelu in Taal Kaharwa. Rag Peelu derives from Kafi thhat or melody family. Its Wadi swara is Gandhar (Me) and Samwadi swara is Nishad (Ti). In the ascension of this raga Rishabh (Re) and Dhaiwat (La) are forbidden and both Gandhar (Ga), both Dhaiwat (La) and both Nishad (Ti) are used.

Kajri is one of the semi classical styles of Indian music originated from the folk music of the Indian state of Uttar Pradesh. It is mainly sung in the month of Savana, which is mid-July to mid-August in accordance with the English calendar. So let us listen to Kajri which is based on rag Bihag. Let’s have some basic information about Rag Bihag. This Rag is originated from Bilawawl that. In the ascension of this rag, Re and Dha (Re and La ) are forbidden. Both Ma (Fa) notes are used in it whereas all other notes are natural.

Based on rainy season Malhar is a semi classical style of singing. Malhar itself mean “the rain.” Semi classical “Bandish” (Determined melody structure) are chiefly sung in this rag. Its main themes of this rag are the rain, love and the nature. This rag has a very prominent place among the seasonal ragas. It creates very melodious environment. Now, before listening to Malhar based on Rag Miyan Malhar, let’s know in short regarding Rag Miyan Malhar. Rag Miyan Malhar has incepted from Kafi family. The wadi swara is Sa (Doh) and the Samwadi swara is Pa (Soh).

Based on rainy season Malhar is a semi classical style of singing. Malhar itself mean “the rain.” Semi classical “Bandish” (Determined melody structure) are chiefly sung in this rag. Its main themes of this rag are the rain, love and the nature. This rag has a very prominent place among the seasonal ragas. It creates very melodious environment. Rag Miyan Malhar comes from the Kafi That. The Wadi swara is Pancham (So) and the Samwadi swara is Sa (Doh). Dha (La) note is forbidden in its ascension. Gandhar (Me) and Ni (Ti) both are sharp notes with rest notes as natural notes.

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However, devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle and playful tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However, devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle and playful tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions are chiefly emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However, devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle and playful tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However, devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle and playful tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग भटियार की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग गौड़ सारंग की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग देशकार की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग पूरिया की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग बिलावल की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग मुलतानी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग गुर्जरी तोड़ी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग दरबारी कान्हड़ा की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग तोड़ी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग बिहाग की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग कामोद की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग काफी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग अहीर भैरव की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग हमीर की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग मालगुंजी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग बहार की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग देस की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग देसी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग गौड़मल्हार की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग हँसध्वनि की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग हिन्डोल की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग ललित की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग पीलू की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम रागपूर्वी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग वृन्दावनी सारंग की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग पूरिया धनाश्री की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग रागेश्वरी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग सिन्दूरा की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग सोहनी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताताहै|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग सूहा की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग विभास की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग यमनी बिलावल की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग रामकली की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग शंकरा की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग श्री की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग शुद्धकल्याण की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग सुघराई की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग तिलंग की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग तिलक कामोद की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग भैरव की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग मेघ मल्हार कीबंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग बसंत की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग भीमपलासी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग परज की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग जयजयवंती की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग केदार की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग भैरवी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग जौनपुरी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग कलिंगड़ा की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताताहै|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग भूपाली की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग अड़ाना की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग यमन की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग खमाज की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग आसावरी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग छायानट की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग बागेश्वरी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

Feel the resonance of evening ragas......Parveen Sultana is an Indian Hindustani classical singer of the Patiala Gharana.

Feel the resonance of evening ragas....Dr. Kadri Gopalnath was an Indian alto saxophonist and one of the pioneers of Carnatic music for that instrument.

Feel the resonance of evening ragas....Pandit Prem Kumar Mallick belongs to the illustrious musical family of Darbhanga Gharana and represents the 12th generation of this musical lineage. He is a well known artist in Hindustani Classical Vocal of All India Radio & Television.

Feel the resonance of evening ragas..... Pandit Chhannulal Mishra is a celebrated Hindustani classical singer from Banaras, a noted exponent of the Kirana gharana of the Hindustani classical music and especially the Khayal and the 'Purab Ang' – Thumri.

Feel the resonance of evening ragas....Vidushi Ashwini Bhide-Deshpande is a Hindustani classical music vocalist from Mumbai. She belongs to the Jaipur-Atrauli gharana tradition.

Feel the resonance of evening ragas....Kishori Ravindra Amonkar was a leading Indian classical vocalist, belonging to the Jaipur gharana, or a community of musicians sharing a distinctive musical style. She was a performer of the classical genre khyal and the light classical genres thumri and bhajan.

Feel the resonance of evening ragas....Ronu Majumdar is an Indian flautist in the Hindustani classical music tradition. He is a Trend setter, a style maker & responsible for popularizing flute all across the Globe of his era. He has been felicitated with many renowned awards over the years, ‘All India Radio Award was his first recognition.

Feel the resonance of evening ragas....Vidushi Ashwini Bhide-Deshpande is a Hindustani classical music vocalist from Mumbai. She belongs to the Jaipur-Atrauli gharana tradition.

Feel the resonance of evening ragas....Trippunithura Narayanaiyer Krishnan was an Indian Carnatic music violinist. The violin legend has been the guiding light for many. His journey go down a road filled with milestones, achievements, and a life that only breathes music. #EminentAritistsofIndia #IndianCarnaticMusic

Feel the resonance of evening ragas.....Pandit Chhannulal Mishra is a celebrated Hindustani classical singer from Banaras, a noted exponent of the Kirana gharana of the Hindustani classical music and especially the Khayal and the 'Purab Ang' – Thumri.

Feel the resonance of evening ragas....Dr. Kadri Gopalnath was an Indian alto saxophonist and one of the pioneers of Carnatic music for that instrument.

Meditation with morning ragas....Sri K.V.Ramanujam Joined in All India Radio as a staff Artist (Flute Player) on 8.5.1984 in Chennai. He was a Top Ranking Flutist of A.I.R. He was a composer in Light Music and in Vadya Vrinda also. He composed and conducted several Vadya-Vrinda compositions which were well appreciated by the listeners.

Meditation with morning ragas...Srimathi, the violinist, popularly known to the world of Carnatic Music as Lalgudi Srimathi Brahmanandan hails from a family of musicians in South India devoted to professional music for four generations. Her father Shri Valadi R. Gopala Iyer was a versatile music teacher who taught vocal, veena, violin and mrudangam. Anuradha Sridhar comes from a long line of master artists that have contributed immensely to the field of Carnatic music.

Meditation with morning ragas....Sri K.V.Ramanujam Joined in All India Radio as a staff Artist (Flute Player) on 8.5.1984 in Chennai. He was a Top Ranking Flutist of A.I.R. He was a composer in Light Music and in Vadya Vrinda also. He composed and conducted several Vadya-Vrinda compositions which were well appreciated by the listeners.

Meditation with morning ragas....Ustad Shahid Parvez Khan is an Indian classical sitar maestro from the Imdadkhani gharana. He belongs to the seventh generation of the Etawah Gharana.

Meditation with morning ragas....Maharajapuram Santhanam, was one of the greatest Carnatic music vocalists.

Meditation with morning ragas.... One of the most famous names associated with Classical Carnatic Music is that of Dr. Mangalampalli Balamuralikrishna. This legendary musician was also an able composer, playback singer, poet, actor and multi-instrumentalist.

Meditation with morning ragas....Rajendra Prasanna is an Indian classical flautist and shehnai player from Benares Gharana.

Meditation with morning ragas....Sangeetha Kalanidhi Aruna Sairam is an Indian classical vocalist. She is a recipient of the Padma Shri award from the Government of India and has been elected as Vice Chairman of the Sangeet Natak Akademi by the Government of India.

Meditation with morning ragas....One of the most famous names associated with Classical Carnatic Music is that of Dr. Mangalampalli Balamuralikrishna. This legendary musician was also an able composer, playback singer, poet, actor and multi-instrumentalist. Apart from working with famous Indian musicians like Pandit Bhimsen Joshi, Pandit Hariprasad Chaurasia and Kishori Amonkar, he also worked with several foreign musicians. Pandit Ajoy Chakrabarty is poised nearly as a cult figure among all the legendary Indian Classical Vocalists of today.

Meditation with morning ragas.....Madurai Shanmukhavadivu Subbulakshmi (16 September 1916 – 11 December 2004) was an Indian Carnatic singer from Madurai, Tamil Nadu. She was the first musician ever to be awarded the Bharat Ratna, India's highest civilian honour.

Meditation with morning ragas.....Pandit Gopal Krishan Sharma was an exponent of Vichitra Veena, an ancient Indian musical instrument.

Meditation with morning ragas....

Meditation with morning ragas....Dr. Pooja Goswami Pavan is a Minneapolis-based performer, composer, teacher, and scholar of Hindustani (North Indian classical) vocal music.

Meditation with morning ragas.....Rakesh Chaurasia is an Indian flautist, who plays the bansuri, an Indian bamboo flute. He is the nephew of flautist Hariprasad Chaurasia.

Suprabhat "Meditation with morning ragas" Ustad Qamruddin "Bismillah" Khan (21 March 1916 – 21 August 2006) (born as Qamaruddin Khan), often referred to by the title Ustad, was an Indian musician credited with popularizing the shehnai, a subcontinental wind instrument of the oboe class. Khan is credited with elevating its status and bringing it to the concert stage.

Meditation with morning ragas....

Meditation with morning ragas.....Pandit Jasraj was an Indian classical vocalist, belonging to the Mewati gharana. His musical career spanned 75 years resulting in national and international fame, respect and numerous major awards and accolades. His legacy includes memorable performances of classical and semi-classical vocal music, classical and devotional music, albums and film soundtracks, innovations in various genres including Haveli Sangeeth and popularizing the Mewati Gharana - a school of thought in Hindustani classical music.

Meditation with morning ragas...Rajeev Janardan is an Indian classical sitar player of the Imdadkhani gharana, taught by Bimalendu Mukherjee.

Meditation with morning ragas....Dr. Pooja Goswami Pavan is a Minneapolis-based performer, composer, teacher, and scholar of Hindustani (North Indian classical) vocal music.