❤️ How to sing zindagi bhar nahi bhoolegi ❤️ Notations ❤️ Raag Yaman Kalyan ❤️ Keharva taal

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❤️ How to sing zindagi bhar nahi bhoolegi ❤️ Notations ❤️ Raag Yaman Kalyan ❤️ Keharva taal

Anand Mon, 14/03/2022 - 16:53

Song: Zindagi bhar nahi bhoolegi Film: Barsaat ki raat (1960) Lyrics: Sahir Ludhianvi Music: Roshan Singer: Mohammad Rafi (Video based on male version) Song by Lata Mangeshkar also Director: P L Santoshi Voice and Tutorial by: Sanchita Pandey Raag: Yaman Kalyan (Thaat Kalyan) Taal: Keharva taal Show support and gratitude for your favourite channel by making a contribution: https://rzp.io/l/SanchitaPandey Or ICICI Bank, Natraj Mansion, Bistupur, Jamshedpur -831001 Name: Sanchita Pandey Account Number: 008901036954 Branch Code: 000089 IFSC: ICIC0000089 MICR: 831229002 WEBSITE: https://inner-universe.wixsite.com/sanchitapandey E-mail: [email protected] Follow me on Instagram: https://www.instagram.com/singersanchita/ *Notations book 'Sanchita's Bollywood Song Notations is now available on Amazon!* https://www.amazon.in/dp/1636403883 Amazon.com link: https://www.amazon.com/Sanchitas-Bollywood-Song-Notations-Hindi/dp/1636… Check out my second channel, 'Inner Universe Community' : https://www.youtube.com/channel/UCNXpeM4Hn6N_Vkvnf2YsBWQ Books by Sanchita Pandey are available on Amazon: https://www.amazon.com/Sanchita-Pandey/e/ #sanchitapandey #sanchitapandeyvlogs #inneruniversecommunity #raagyaman #raagyamankalyan #mohammadrafi #roshan

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यमन कल्याण

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यमन कल्याण

Pooja Sun, 07/11/2021 - 00:15

यमन कल्याण एक हिंदुस्तानी शास्त्रीय राग है, जो यमन से संबंधित है। इस राग की गति यमन की तरह है, सिवाय इसके कि वंश में, यह कभी-कभी GmG पैटर्न का उपयोग करते हुए समतल मध्यम को धीरे से छूता है।

उस्ताद ध्यानेश खान कहा करते थे कि यमन कल्याण में फ्लैट मध्यम एक परदा महिला के सुंदर चेहरे की तरह है जो कभी-कभी घूंघट से बाहर आता है लेकिन उसके पीछे लगभग तुरंत गायब हो जाता है।

जैसा कि यह यमन से संबंधित है, यह कल्याण थाट का एक हिस्सा है।

Ustad Dhyanesh Khan used to say that the flat madhyam in Yaman Kalyan is like the beautiful face of a veiled woman that comes out of the veil occasionally but disappears behind it almost instantaneously.

As it is related to Yaman, it is a part of the Kalyan thaat.