Pandit Vikash Maharaj

Pandit Vikash Maharaj (born 1 July 1957 in Varanasi, India) is an Indian Sarod player and composer. In his childhood, he initially learnt to play the Tabla and then discovered and studied the Sarod as his preferred instrument.

Pandit Vikash Maharaj is an internationally recognized instrumentalist and philanthropist.

Debasmita Bhattacharya

Debasmita had her initiation in music from her father sarod player Pandit Debasish Bhattacharya who is the seniormost disciple of Padma Bhusan Pandit Buddhadev Dasgupta of the Senia Shahjahanpur gharana.

She received training from Legendary Sarod Maestro Pandit Buddhadev Das Gupta for 15 Years. She is an 'A' grade scholar of the ITC Sangeet Research Academy where she continues to learn from her illustrious Guru. She has completed her Masters in music with a gold medal from Rabindra Bharati University and is currently pursuing a Ph.D there.

Ghulam Hasan Khan

A short introduction of Ghulam Hasan Khan;
Ghulam Hasan Khan the eminent young classical vocalist, is a living embodiment of thecontinuity of Indian Music tradition through heritage. In an era when music has been reduced tomere entertainment, Ghulam Hasan Khan is a moving and reassuring example of uncompromising purity. Ghulam Hasan Khan is a young and extremely talented Hindustani Classical vocalist of India.

Smt. Bharati Prathap

Bharathi Prathap, an Electronics engineer by qualification, was initiated into Carnatic classical music at a young age of 7 and later switched over to Hindustani classical music under the late Pt. Maruti Rao Inamdar at Davangere and continued her training under the late Pt. Rama Rao Naik, a doyen of the Agra Gharana in Bengaluru. Bharathi also trained in Bhavageethe & gaayana under Sri H.K.Narayana.

Surbahar

Surbahar, (सुरबहार), sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of North India. It is closely related to the sitar, but has a lower tone. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar, but as Indian classical music has no concept of absolute pitch, this may vary.

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हिंदुस्तानी एवं कर्नाटक संगीत

हिन्दुस्तानी संगीत में इस्तेमाल किए गए उपकरणों में सितार, सरोद, सुरबहार, ईसराज, वीणा, तनपुरा, बन्सुरी, शहनाई, सारंगी, वायलिन, संतूर, पखवज और तबला शामिल हैं। आमतौर पर कर्नाटिक संगीत में इस्तेमाल किए जाने वाले उपकरणों में वीना, वीनू, गोत्वादम, हार्मोनियम, मृदंगम, कंजिर, घमत, नादाश्वरम और वायलिन शामिल हैं।

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