Naad Lahari

Feel the resonance of evening ragas... Naad Lahari | Vidushi N. Rajam & Sangeeta Shankar | Violin Recital

Feel the resonance of evening ragas... Naad Lahari | Sidheshwari Devi | Hindustani Classical Vocal

Naad Lahari - Pt Hari Prasad Chaurasiya Hariprasad Chaurasia (born 1 July 1938) is an Indian music director and classical flautist, who plays the bansuri, an Indian bamboo flute, in the Hindustani classical tradition. The 2013 documentary film Bansuri Guru features the life and legacy of Chaurasia and was directed by the musician's son Rajeev Chaurasia and produced by the Films Division, Ministry of Information and Broadcasting, Government of India. #Ragas #BansuriVaadan #ArtistsofIndia #HindustaniClassicalMusic Video details: ARDG DVC 30 3664

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Asad Ali Khan was an Indian musician who played the plucked string instrument rudra veena. Khan performed in the style dhrupad and was described as the best living rudra veena player in India by The Hindu. He was awarded the Indian civilian honor Padma Bhushan in 2008. Khan was born 1937 in Alwar in the seventh generation of rudra veena players in his family. Khan was one of a few active musicians who played the rudra veena and the last surviving master of one of the four schools of dhrupad, the Khandar school.

ARDG DVC 60 5964

नाद लहरी में सुनें पण्डित विश्व मोहन भट्ट का मोहन वीणा।

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N. Rajam (born 1938) is an Indian violinist who performs Hindustani classical music. She remained professor of Music at Banaras Hindu University, eventually became head of the department and the dean of the Faculty of Performing Arts of the University. She was awarded the 2012 Sangeet Natak Akademi Fellowship, the highest honour in the performing arts conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Dr. Sangeeta Shankar is an Indian violinist who performs Hindustani classical music.

Feel the resonance of evening ragas... Pandit Vinayak Narayan Patwardhan was an Indian vocalist of Gwalior gharana of Indian classical music. Vinayakrao Patwardhan's singing reflected the simple and straightforward approach to ragas, which is the characteristic of the Gwalior Gharana style. His favorite ragas included ''Bahar'', ''Adana'', ''Multani'', ''Malhar'', ''Jaijaivanti'', ''Hameer'' and ''Bhairav-bahar''. He performed in most of the important music festivals. He was one of the few practicing musicians of the time who wrote textbooks on music.