Should I sing sur na sade? Hear life without sur ............ sur na sade?
What a beautiful song it is, and how beautifully it describes the mentality of a singer.
The glory of the note is immense, the whole world is present in the universe, in the practice of that one note, the entire life of the music goes out, but there is no harmony. They say ........
"Tantri nad kavitta rasa saras nad rati rang.
The old ones grow old, the arrows which grow old all the organs. "

Bansidhar Krishna Kahanaiya. Lord Krishna is called by this name, as Bansi and Krishna are synonymous with each other.
In connection with the birth of this Bansi, Mahakavi Kalidas has conceived in Kumar Sambhav that, hearing the melodious sound emanating from the entry of air into the lineage pipe pierced by the Bhoras, the eunuchs practiced it as an instrument. This instrument is very old, in the Natya Shastra of India, there is a description of Vanshi, Mahabharata, Srimat Bhagwat also has a description of Vanshi or flute, Surdas has written,

No matter how little familiarity is there with music! If the melody of classical music, the melody of the melody, the music, is not there, the simplicity of folk music, flow of mind does not flow, the melody of film music does not waver. Ghazals are the genre that everyone likes, everyone feels their own, everyone likes to listen, likes to hum, to tell the truth, sometimes it sounds like its own heart, so it seems so many today Other musical legislations are struggling for their existence, then Ghazalhar is engulfed, ruling every heart.

In Hindu mythology, Tumburu is the best of singers and the great composer of Gandharvas. He composed music and songs for the court of celestial deities. In the Puranas, Tumburu or Tumburu is described as the son of sage Kashyapa and his wife Prabha.

Tumbaru is often said to be the best among the Gandharvas. He sings in the presence of the gods. Like Narada, he is also considered the king of songs. According to ancient Puranas, Narada is considered the teacher of Tumburu. Narada and Tumburu are said to sing the glory of Lord Vishnu.

Todi, also known as Mian-ki-Todi (Miyan-ki-Thodi), is a very common morning rag.  However, there is a certain disagreement as to its structure.  According to some, all seven notes are used in both the ascending and descending structures; according to this approach, this rag is sampurna - sampurna.  Others suggest that the Pa is absent in the arohana but present in the avarohana; according to this approach this rag is shadav - sampurna.  Here we are presenting the sampurna - sampurna version.  There is also disagreement concerning the vadi and the samvadi.