A musical prodigy from the age of four, Vidushi Zarin Sharma nee Daruwala (9 October 1946 - 20 December 2014) is a celebrated sarod maestro. Her gurus are Pandit Haripada Ghosh, Pandit Bhishmadev Vedi, Pandit Laxmanprasad Jaipurwale, Pandit V. G. Jog, Dr. S. C. R. Bhat and Padma Bhushan Dr. S. N. Ratanjankar. Zarin ji possesses a rare command over this enchanting instrument and has a distinctive individual style. She plays with great finesse and her mastery of the instrument is rooted in a thorough understanding of it and years of dedicated practice.

Pandit Ram Kallo Bijapure alias Pt. R. K. Bijapure or Vijapure Master (7 January 1917 - 19 November 2010) was an Indian Harmonium Maestro in the Hindustani classical tradition.
• Early life :

Vidushi Malini Rajurkar (born 7 January 1941) is an Eminent Hindustani classical Vocalist of Gwalior Gharana.

• Early life :
She grew up in the state of Rajasthan in India. For three years she taught mathematics at the Savitri Girls’ High School & College, Ajmer, where she had graduated in the same subject. Taking advantage of a three-year scholarship that came her way, she finished her Sangeet Nipun from the Ajmer Music College, studying music under the guidance of Govindrao Rajurkar and his nephew, who was to become her future husband, Vasantrao Rajurkar.

Ustad Haafiz Ali Khan (1877 - 28 December 1972) was an Indian Sarod Maestro. He was a tall figure in twentieth-century sarod music. A fifth-generation descendant of the famous Bangash Gharana of sarod players, Haafiz Ali was known for the lyrical beauty of his music and the crystal-clear tone of his strokes. The occasional critic has, however, observed that Khan's imagination was often closer to the semi-classical thumri idiom than the austere dhrupad style prevalent in his times. He was a recipient of the civilian honour of the Padma Bhushan.

Vidushi Malabika Kanan (27 December 1930 - 17 February 2009) was a noted Hindustani Classical Vocalist. Her musical rendering of khyals was exceptional among the singers of that genre and her exposition of Bairagi and Desh in a rich voice was of special tonal quality.