Vinayak Ramchandra Athavale (marathi: विनायक रामचंद्र आठवले) (1918 - 2011), better known as V. R. Athavale or Vi. Ra. Athavale, was a Hindustani classical vocalist and one of the foremost Hindustani classical musicologists of the 20th Century, alongside Vamanrao Deshpande and Sharadchandra Arolkar. He composed using the pen name "Naad Piya". He is known for his critique of traditional ideas and modern aesthetics. He was trained primarily by Vinayakrao Patwardhan and Vilayat Hussain Khan and is considered a representative of Gwalior and Agra traditions.

Gayatri Asokan is a playback singer who works mainly in Malayalam cinema. She started her playback career with the song "Deena Dayalo Rama" for the film Arayannagalude Veedu under music director Raveendran. "Enthe Nee Kanna" for Sasneham Sumitra won her the Kerala State Film Award for Best Singer in 2003. Her memorable hits include "Chanjadi Adi" from Makalkku, "Thumbikkinnaram" from Naran and "Pularumo" from Ritu.[citation needed]

Asgari Bai (January–August 1918 – 9 August 2006) was an Indian Dhrupad singer.  She was a recipient of Padma Shri,Tansen Samman, Academy Samman and Shikhar Samman.

Asgari Bai was born in Bijawar, Chhatarpur. She had come with her mother Nazeera Begum to Tikamgarh. She died on 9 August 2006.

Ashgari Bai (1998), an Indian documentary film directed by Priti Chandriani and Brahmanand S. Singh explores her life as an exponent of Dhrupad.

A. Kanan / Arkut Kannabhiran (18 June 1920 – 12 September 2004, more popularly known as A. Kanan, was an Indian vocalist in the Hindustani classical tradition and one of the legendary vocalist from Kirana Gharana. He is known for the khayal form of singing to which he lent his individuality.

Early life
Arkut Kannabhiran was born in Madras (present-day Chennai), in 1920. As he grew up he was interested in cricket as well as singing.

Kishori Ravindra Amonkar (10 April 1932 – 3 April 2017) was a leading Indian classical vocalist, belonging to the Jaipur gharana, or a community of musicians sharing a distinctive musical style.

She was a performer of the classical genre khyal and the light classical genres thumri and bhajan. Amonkar trained under her mother, classical singer Mogubai Kurdikar also from the Jaipur gharana, but she experimented with a variety of vocal styles in her career.