Dance

You walk in the studio and the first thing you do is check out your outfit in the mirror. As you work on a new piece of choreography, you use your reflection to get a sense of how it looks. When the choreographer gives you a correction, you peek at yourself again to correct it.

Most dancers rely on the mirror for hours a day. It can help us self-correct our lines and see what our movement looks like. But there's evidence to suggest that overly depending on it can be harmful, as well.

Kathak| Taal Dhamar | Lesson | Dance | Chalan | Uthan 1

Kathak / Taal Dhamar | Tatkar

Lesson With Guru Ashwani Nigam Dhamar Taal | Tihai Dhagena Dhagena | Дхамар Таал Тихай

14 Lesson | Улучшите свой катхак с Гуру Ашвани Нигам | | 14 Урок | Тихай Тигдадигдиг Тей

Lesson Number 15 Dhamar Tihai Titikata Gadigina 15 Урок Тихай ТитаКаТа Гадигина

This tihai is one of those popular Tihai which are frequently used in Teental, Jhaptal, Ektaal and Dhamar with some addition or reduction of pause in between Pallas. learned under Guru Ram Mohan Maharaj KatDha KatDha KatDha / Takit Dhikit Takit Dhikit Ghin / Takit DhikiTakit Dhikit Ghin / Takit Dhikit Takit Dhikit Dha + 1 matra Pause

TAT,TAT THEI TIGDADIGDIG THEI TAT,TAT / THEI TIGDADIGDIG / THEI TA,THEI TATA,THEI / AA,THEI TATA,THEI THEI,TA,THE EETA,THEI / THEI,THEI TIGDADIGDIG THEI,TIGDA DIGIDIG,THEI TIGDADIGDIG / THEI,TIGDA DIGIDIG,THEI / TIGDADIGDIG THEI,TIGDA DIGIDIG,THEI / TIGDADIGDIG THEI,TIGDA DIGIDIG,THEI TIGDADIGDIG / THEI

Teental - 16 Beats Dadra - 6 Beats Jhaptal - 10 Beats Keherva - 8 Beats Sool Taal - 10 Beats Char Taal - 12 Beats Ektal - 12 Beats Taal Tivra - 7 Beats Dhamar Taal - 14 Beats

Takit Takit Thei Takit Takit Thei (Takit Takit Thei Thei Thei ) x 3 Takit Takit Thei Takit Takit Thei (Takit Takit Thei Takit Thei ) x 3 Takit Takit Thei Takit Takit Thei (Tadigina Tadigina Tadigina Thei ) x 3