Dadra -1 Rag Bhairavi "Banka Bana Raghuraiyya"

Style of Dadra is very similar to Thumri but the tempo of Dadra is faster than Thumri thus it allows more freedom to be playful with musical note. The pivotal emotion is ornamentation. Dadra style is sung in Dadra taal itself. Dadra taal is fast and playful in nature. Songs based on dances and ornamentations are mainly sung in this. Let’s know a little bit about Rag Bhairavi before listening to Dadra based on it. Rag Bhairavi has incepted from Bhairavi thhat (Family). In this Rag, Re (Re), Ga (Me), Dha (La) and Ni (Ti) are used as sharp denoted here with #. It is Sampurna in nature. The wadi swara is Ma (Fa) and Samwadi swara is Sa (Doh). This Rag is sung mainly in the morning. Music is not confined to the geographical boundaries. Indian Ragas can be played not only in Indian musical instruments but in western musical instruments as well. Indian music and ragas are being played globally in all other instruments of many cultures and countries. Indian music is being propagated all over the world and liked so much by different world communities. Moreover, nowadays a revolutionary flavor of music has emerged called “Fusion music” a mix of traditional Indian and western musical instruments. Glossary of Indian-Western Music Sargam- Sa Re Ga Ma Pa Dha Ni (Saptak) Notation - Doh Re Mi Fa Soh La Ti Doh (Octave) {In Hindustani music there are 7 notes shown called Saptak i.e. 7} {In Western music there are 8 notes shown thus called Octave i.e. 8 } Aaroh- Ascension (Lower to higher notes) Avroh- Dissention (Higher to lower notes) Pakad – Insignia/ Recognition/Restricted melody grip Bandish/Rachna- Determined melody structure Shuddh Swara- Natural Note, Tonic Komal Swara - Flat (b)- One semitone lower in frequency Teevra- Sharp (#)- 1 semitone higher in frequency Taal- Beat Shaili- Style/Genre Audav- Pentatonic Scale with 5 pitches or notes per octave Shadav- Hexatonic scale with 6 pitches or notes per octave Sampurna- Septatonic scale with 7 notes or pitches per octave Thhat- Family Wadi is the primary note of any rag whereas usually the 5th note is Samvadi. Chord- Notes - Sa, Ga, Pa, Sa- (Doh, Me, Soh, Doh) All Natural notes=Major. If Ga (Me) is one semitone flat (Komal) it is Minor chord. Example- If any note is to be shown as Komal (flat), it is denoted as the sign of small b If any note is to be shown as Teevra (Sharp ), it is denoted as the sign # The rendering of any Rag may be in Major or in Minor chord regardless of any scale. Major chord means= All notes are natural; Example- Formation of Major chord- Sa, Ga, Pa, Sa {naturel} Minor means=One or more than one notes are either flat or sharp for one semitone. Formation of Minor chord= Sa(Natural). Re (Sharp or Teevra), Ga (Natural), Pa (Natural)