Video

Pt. Rajendra Prasanna | Raag - Charukeshi

Anand Fri, 11/02/2022 - 07:44

Feel the resonance of evening ragas... Rajendra Prasanna, (राजेन्द्र प्रसन्ना) born 15 April 1956 is an Indian classical flautist and shehnai (Indian oboe) player from Benares Gharana. He was one of the top grade artist of All India Radio Rajendra was the recipient of various awards and honors including Uttar Pradesh Sangeet Natak Academy Award - Flute & Shehnai (1995).

Pt. Shiv Kumar Sharma | Raag - Bihag

Anand Fri, 11/02/2022 - 06:06

Feel the resonance of evening ragas... Pandit Shivkumar Sharma (born 13 January 1938) is an Indian music composer and santoor player from the state of Jammu and Kashmir. The santoor is a folk instrument. Shivkumar is credited with making the santoor a popular classical instrument. He composed the background music for one of the scenes in Shantaram's Jhanak Jhanak Payal Baje in 1956. He recorded his first solo album in 1960.

Pt. Vishwa Mohan Bhatt & Salil Bhatt | Raga - Maru Bihag

Anand Fri, 11/02/2022 - 04:04

Meditation with morning ragas....Pt. Vishwa Mohan Bhatt, also known as V. M. Bhatt, is a Hindustani classical music instrumentalist who plays the Mohan veena. Salil Bhatt is an Indian slide guitar player. He is the son of the fellow slide player and Grammy Award winner, Padmashree Vishwa Mohan Bhatt. Salil Bhatt represents the dynamic face of the new age, Indian musician.

Pt. Bhimsen Joshi | Bhajan

Anand Sat, 05/02/2022 - 14:10

Feel the resonance of evening ragas....Pandit Bhimsen Gururaj Joshi was an Indian vocalist from Karnataka, in the Hindustani classical tradition. He is known for the khayal form of singing, as well as for his popular renditions of devotional music. Bhimsen Joshi belongs to the Kirana gharana tradition of Hindustani Classical Music.

Dr. M. Balamuralikrishna | Indian Carnatic vocalist

Anand Tue, 01/02/2022 - 14:10

Feel the resonance of evening ragas....One of the most famous names associated with Classical Carnatic Music is that of Dr. Mangalampalli Balamuralikrishna. This legendary musician was also an able composer, playback singer, poet, actor and multi-instrumentalist. Apart from working with famous Indian musicians like Pandit Bhimsen Joshi, Pandit Hariprasad Chaurasia and Kishori Amonkar, he also worked with several foreign musicians.

Kathak Tutorial By Guru Ashwani Nigam Dhamar Nrityangi Tukra

Anand Tue, 01/02/2022 - 09:32

4 Year 11 Lesson (Tat Tat Thei Tigdadigdig Thei ) x 2 + Ta Thei Tata Thei Aa Thei Tata Thei Theita Theita Thei -- Thei Thei + (Tigdadigdig Thei ) x 9 Tat,Tat Thei Tigdadigdig Thei Tat,Tat / Thei Tigdadigdig / Thei Ta,Thei Tata,Thei / Aa,Thei Tata,Thei Thei,Ta ,The Iee,Ta,Thei / Thei,Thei Tigdadigdig Thei,Tigda Digdig,Thei Tigdadigdig / Thei,Tigda Digdig,Thei /Tigdadigdig Thei,Tigda Digdig,Thei / Tigdadigdig Thei,Tigda Digdig,Thei Tigdadigdig / Thei

Kathak Tutorial By Guru Ashwani Nigam - Taal Dhamar - Kavitt Murli Adhar Dhar

Anand Tue, 01/02/2022 - 09:32

4 Year 10 Lesson Murli Adhar Dhar Krishna Murari , Doobat Brij Ko Aan Ubari Nakh Par Girivar Dhari Bachae Brij Ko X 9 Мурли (Флейта) Адхар (на губах) Дхар (положил) Кришна (Бог Кришны) Мурари (враг демона Мура), Дубат (затопленный) Бридж (город Бриндаван) Ко Аан (Пришел) Убари (Спас) Нах (ногти) Пар ( на) Гиривар (Король Гора Говердхан) Дхари (держал) Бачае (Спас) Бридж (город Бридж) Ко Murli,A Dhar,Dhar Krishna,Mu Rari Doobat / Brij,Ko Aan,U / Bari Nakh,Par Girivar / Dhari,Ba Chae,Brij Ko,Ba Chae,Brij / Ko,Ba Chae,Brij Ko,Ba Chae,Brij Ko,Ba / Chae,Brij Ko,Ba / Chae,Brij Ko,Ba Chae,Brij / K

Kathak Tutorial - Taal Dhamar/Paran Amad - 4 Year 8 Lesson

Anand Tue, 01/02/2022 - 09:32

DHATA KA,THUN GA-- DHAGE DHINGE / TA DHA,DHIN / TA-- DHITTA KIRDHA / TAKKA THUNGA TAKIT,TA KA,DHA / TITAKATA GADIGIN DHATI DHATI DHA / TITAKATA GADIGIN / DHATI DHATI DHA / TITAKATA GADIGIN DHATI DHATI / DHA TA,THEI TATA,THEI AA,THEI TATA,THEI / THEITA,THEI EE,TA,THEI / THEI,THEI TAT,TAT TA-- / --TAT TAT,TA --- TAT,TAT / TA

Kathak Tutorial - Taal Dhamar - Nrityangi Tukra - 4 Year 9 Lesson

Anand Tue, 01/02/2022 - 09:32

TAT,TAT THEI TIGDADIGDIG THEI TAT,TAT / THEI TIGDADIGDIG / THEI TA,THEI TATA,THEI / AA,THEI TATA,THEI THEI,TA,THE EETA,THEI / THEI,THEI TIGDADIGDIG THEI,TIGDA DIGIDIG,THEI TIGDADIGDIG / THEI,TIGDA DIGIDIG,THEI / TIGDADIGDIG THEI,TIGDA DIGIDIG,THEI / TIGDADIGDIG THEI,TIGDA DIGIDIG,THEI TIGDADIGDIG / THEI

Kathak lesson - Tihai - Taal Dhamar - Guru Ashwani Nigam

Anand Tue, 01/02/2022 - 09:32

This tihai is one of those popular Tihai which are frequently used in Teental, Jhaptal, Ektaal and Dhamar with some addition or reduction of pause in between Pallas. learned under Guru Ram Mohan Maharaj KatDha KatDha KatDha / Takit Dhikit Takit Dhikit Ghin / Takit DhikiTakit Dhikit Ghin / Takit Dhikit Takit Dhikit Dha + 1 matra Pause

Malhar 2 Rag "Miyan Malhar Maai Ban Bolan Lage More"

Anand Mon, 31/01/2022 - 21:57

Based on rainy season Malhar is a semi classical style of singing. Malhar itself mean “the rain.” Semi classical “Bandish” (Determined melody structure) are chiefly sung in this rag. Its main themes of this rag are the rain, love and the nature. This rag has a very prominent place among the seasonal ragas. It creates very melodious environment. Now, before listening to Malhar based on Rag Miyan Malhar, let’s know in short regarding Rag Miyan Malhar. Rag Miyan Malhar has incepted from Kafi family. The wadi swara is Sa (Doh) and the Samwadi swara is Pa (Soh).

Malhar 3 Rag "Miyan Malhar Mat Bol Koyaliya Matwari"

Anand Mon, 31/01/2022 - 21:57

Based on rainy season Malhar is a semi classical style of singing. Malhar itself mean “the rain.” Semi classical “Bandish” (Determined melody structure) are chiefly sung in this rag. Its main themes of this rag are the rain, love and the nature. This rag has a very prominent place among the seasonal ragas. It creates very melodious environment. Rag Miyan Malhar comes from the Kafi That. The Wadi swara is Pancham (So) and the Samwadi swara is Sa (Doh). Dha (La) note is forbidden in its ascension. Gandhar (Me) and Ni (Ti) both are sharp notes with rest notes as natural notes.

Thumri 1 Rag Mishra Khamaj "Manmohan Ki Baji Venu"

Anand Mon, 31/01/2022 - 21:57

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

Thumri 2 Rag Des "Mathura gaye more Shyam"

Anand Mon, 31/01/2022 - 21:57

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However, devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle and playful tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.

Thumri 3 Rag Kafi " Dhoom Dhoom Machai"

Anand Mon, 31/01/2022 - 21:57

Thumri is one of the styles of Hindustani music having parts and sub parts. It comes under semi classical music. Expression of emotions is more emphasized in it in comparison to the purity of Rag. So is the reason that it is categorized under semi classical singing. The “Bandish” (Determined melody structure) is short in Thumri with prominence of essence of adornment and ornamentation. However, devotion based Bandish is also sung in Thumri. The Ragas used in Thumri are generally of fickle and playful tendencies such as Khamaj , Peelu, Bhairwi, Kafi, Gaurh Sarang and Des etc.