Kya Pehchaan Banana Hi Kamyabi Hai ? Guftugu​ with Ustad Shujaat Khan

00:43​- Intro Video
4:25​- Interview Begins
5:08​- You have to be a part of race if you are an artist, Family Legacy doesn`t matter, You yourself have to make your audience, not having an ambition makes you mediocre, Nothing wrong if you have to be the part of rat race, doesn`t like mediocrity, It gets boring if you don`t seek excellence, It is easy to live happily
8:39​-Realisation that you need something beyond recognition dawns when all your dreams are fulfilled, wants to explore the pleasures and emotions in the realm of music, Wants to enjoy being an artist now

Nusrat Sahab

Main Kalleya Beh Ke, Tera Na Le Le Ke
Haye! Kamli Ho Gai, Tera Dukh Seh Seh Ke
Agg Ishq Di Tann Mann Phook Di
Oh Jind Meri Mahi Mahi Kook Di

Zohrabai Agrewali

Zohrabai Agrewali (1868–1913) was one of the most noted and influential singers of Hindustani Classical Music from the early 1900s. Along with Gauhar Jan, she marks the dying phase of the courtesan singing tradition in Indian classical music. She is known for her macho style of singing.

• Early life and background:
She belonged to the Agra gharana (lit.Agrewali= fromAgra). She was trained by Ustad Sher Khan, Ustad Kallan Khan and the noted composer Mehboob Khan(Daras Piya).

Vocalist Pandit Wamanrao Sadolikar

Pandit Wamanrao Sadolikar (16 September 1907 - 25 March 1991) was a Hindustani Classical Vocalist of the Jaipur-Atrauli Gharana founded by his guru, Ustad Alladiya Khan.
• Early life :
Pandit Wamanrao Sadolikar was born into a family of music lovers in Kolhapur. As a teenager, he studied Classical Music under Pandit Vishnu Digambar Paluskar of the Gwalior Gharana.
• Career :

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हिंदुस्तानी एवं कर्नाटक संगीत

हिन्दुस्तानी संगीत में इस्तेमाल किए गए उपकरणों में सितार, सरोद, सुरबहार, ईसराज, वीणा, तनपुरा, बन्सुरी, शहनाई, सारंगी, वायलिन, संतूर, पखवज और तबला शामिल हैं। आमतौर पर कर्नाटिक संगीत में इस्तेमाल किए जाने वाले उपकरणों में वीना, वीनू, गोत्वादम, हार्मोनियम, मृदंगम, कंजिर, घमत, नादाश्वरम और वायलिन शामिल हैं।

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