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Bhajan

Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Indian religions, in any of the languages from the Indian subcontinent. The term bhajanam (Sanskrit: भजनम्) means reverence and originates from the root word bhaj (Sanskrit: भज्), which means to revere, as in 'Bhaja Govindam' (Revere Govinda). The term bhajana also means sharing.

The term 'bhajan' is also commonly used to refer a group event, with one or more lead singers, accompanied with music, and sometimes dancing. Minimally there is a percussion accompaniment such as tabla, dholak or a tambourine. Handheld small cymbals (kartals) are commonly used to maintain the beat, rhythm. A bhajan may be sung in a temple, in a home, under a tree in the open, near a river bank or a place of historic significance.

As a bhajan has no prescribed form, or set rules, it is in free form, normally lyrical and based on melodic ragas. It belongs to a genre of music and arts that developed with the Bhakti movement. It is found in the various traditions of Hinduism as well as Jainism. Within Hinduism, it is particularly prevalent in Vaishnavism.

Ideas from scriptures, legendary epics, the teachings of saints and loving devotion to a deity are the typical subjects of bhajans.

Pt. Uday Bhawalkar | Bhajan

Suprabhat "Meditation with morning ragas" Pandit Uday Bhawalkar is an Indian classical vocalist. He is an exponent of the dhrupad genre. Uday Bhawalkar is among the foremost Dhrupad vocalists and has been a strong force in its growing recognition, popularity and resurgence, worldwide. Uday believes that when immersed in the note and raga, the self disappears and music takes on its own existence; the principle of ‘darshan’ in Indian philosophy.

Pt. Uday Bhawalkar | Bhajan

Suprabhat "Meditation with morning ragas" Pandit Uday Bhawalkar is an Indian classical vocalist. He is an exponent of the dhrupad genre. Uday Bhawalkar is among the foremost Dhrupad vocalists and has been a strong force in its growing recognition, popularity and resurgence, worldwide. Uday believes that when immersed in the note and raga, the self disappears and music takes on its own existence; the principle of ‘darshan’ in Indian philosophy.

Pt. Vinayak Rao Patwardhan | Bhajan

Feel the resonance of evening ragas... Pandit Vinayak Narayan Patwardhan was an Indian vocalist of Gwalior gharana of Indian classical music. Vinayakrao Patwardhan's singing reflected the simple and straightforward approach to ragas, which is the characteristic of the Gwalior Gharana style. His favorite ragas included ''Bahar'', ''Adana'', ''Multani'', ''Malhar'', ''Jaijaivanti'', ''Hameer'' and ''Bhairav-bahar''. He performed in most of the important music festivals. He was one of the few practicing musicians of the time who wrote textbooks on music.

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