राग

Kajri is semi classical style of music. It is a well-known folk genre evolved eventually from the folk of Uttar Pradesh, one of the Indian states. It is mainly sung during the rainy season which is mid-July to mid-August according to English calendar. Now, let have a brief information about Rag Mishr Peelu in Taal Kaharwa. Rag Peelu derives from Kafi thhat or melody family. Its Wadi swara is Gandhar (Me) and Samwadi swara is Nishad (Ti). In the ascension of this raga Rishabh (Re) and Dhaiwat (La) are forbidden and both Gandhar (Ga), both Dhaiwat (La) and both Nishad (Ti) are used.

Style of Khemta resambles with Thumri but the tempo of Khemta is faster than Dadra and so, it permits the artists to be more playful. It is sung in Khemta Taal mainly with central idea of ornamentation. Let us know some salient features of Rag Khamaj before we listen to the Khemta based on this Rag. The Wadi and samwadi swaras of this Rag are Gandhar and Nishad (Me and (Ti). It is sung at the 2nd watch of the night. Music is not confined to the geographical boundaries. Indian Ragas can be played not only in Indian musical instruments but in western musical instruments as well.

Kajri is one of the semi classical styles of Indian music originated from the folk music of the Indian state of Uttar Pradesh. It is mainly sung in the month of Savana, which is mid-July to mid-August in accordance with the English calendar. So let us listen to Kajri which is based on rag Bihag. Let’s have some basic information about Rag Bihag. This Rag is originated from Bilawawl that. In the ascension of this rag, Re and Dha (Re and La ) are forbidden. Both Ma (Fa) notes are used in it whereas all other notes are natural.

Chaiti is semi classical style of Hindustani music. It has derived from the folk music of the Indian state of Uttar Pradesh and based on chaitra month i.e. the mid-March of English calendar. Semi-classical “Bandish” (Determined melody structure) are sung in it. Love, beauty of nature and the Holi festival (the Indian festival of colors) are the prominent themes of Chaiti. Chaitra month is also considered as the birth month of Shri Rama and thus, the scriptural descriptions of the childhood of Shri Rama are included in the singing structure of Chaiti.

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग गुर्जरी तोड़ी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग दरबारी कान्हड़ा की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग तोड़ी की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग बिहाग की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग भटियार की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|

भारतीय शास्त्रीय संगीत पर आधारित ये संगीतमय कार्यक्रम राग कामोद की बंदिश, सरगम, आरोह, अवरोह, गत, और गायन समय के बारे में बताता है|