Hindustani Classical Vocalist and Child prodigy Master Madan
Master Madan (28 December 1927 - 5 June 1942), a child prodigy (not to be confused with music composer Madan Mohan), died at the young age of 14 years, sang only a few songs which are everlasting and embedded in perfection. During his lifetime he recorded only 8 songs. Of these, only two Ghazals are available publicly. These are the famous, 'Yun Naa Rah Rah Ke Hame Tarsaiye' and, 'Hairat Se Tak Raha Hai'. The other six songs are very rarely found, and of great archival value.
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Archival photo of Legendary
An Archival photo of Legendary Hindustani Classical Musicians;
From left to right : Ustad Sagiruddin Khan, Ustad Amjad Ali Khan, Pandit Nikhil Ghosh, Ustad Hafiz Ali Khan, Ustad Amir Hussain Khan and Ustad Habibuddin Khan.
• Photo Credits : Pt. Nayan Ghosh
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Classical Vocalist Musicologist Guru Pandit S. N. Ratanjankar
Pandit Shrikrishna Narayan Ratanjankar 'Sujan' (31 December 1900 - 14 February 1974) occupied a pre-eminent position in the spectacular developments in the field of Hindustani music in the 20th century. A foremost disciple of Chatur Pandit Bhatkhande and a ganda-bandh shagird of the great Ustad Faiyaz Khan, Ratanjankar was an excellent performer, a learned scholar and a great guru with a number of accomplished disciples. His ascetic simplicity, his dedication to and personal sacrifice for the propagation of classical music are legendary.
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Classical Vocalist Pandit Mallikarjun Mansur
Pandit Mallikarjun Bheemarayappa Mansur (31 December 1910 - 12 September 1992) was an Indian Classical Singer of the Khyal style in the Jaipur-Atrauli Gharana of Hindustani Classical Music.
He received all 3 National Padma Awards, the Padma Shri in 1970, Padma Bhushan in 1976 and Padma Vibhushan, the 2nd highest civilian honour given by Government of India in 1992. In 1982, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour conferred by the Sangeet Natak Akademi.
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Qawwali is enlightenment itself.” — Nusrat Fateh Ali Khan
“To be a qawwal is more than being a performer, more than being an artist, one must be willing to release one's mind and soul from one's body to achieve ecstasy through music. Qawwali is enlightenment itself.” — Nusrat Fateh Ali Khan
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राग परिचय
हिंदुस्तानी एवं कर्नाटक संगीत
हिन्दुस्तानी संगीत में इस्तेमाल किए गए उपकरणों में सितार, सरोद, सुरबहार, ईसराज, वीणा, तनपुरा, बन्सुरी, शहनाई, सारंगी, वायलिन, संतूर, पखवज और तबला शामिल हैं। आमतौर पर कर्नाटिक संगीत में इस्तेमाल किए जाने वाले उपकरणों में वीना, वीनू, गोत्वादम, हार्मोनियम, मृदंगम, कंजिर, घमत, नादाश्वरम और वायलिन शामिल हैं।