Vocalist and Theatre actor Master Deenanath Mangeshkar
Pandit Deenanath Mangeshkar (29 December 1900 - 24 April 1942) was an exceptional Hindustani Classical, Semi-Classical and Natya-Sangeet Vocalist and Marathi theatre actor. He is popularly addressed as Master Deenanath Mangeshkar and better known as the father of great Mangeshkar sisters. His kids -Lata Mangeshkar, Asha Bhosle, Hridayanath Mangeshkar, Meena Khadikar and Usha Mangeshkar are of course the biggest names of Indian musical industry!
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Pandit Chidanand Nagarkar
An Archival photo of Legendary Hindustani Musicians;
Pandit Chidanand Nagarkar (one of the foremost disciples of Gayanacharya Dr. S. N. Ratanjankar) in a concert with Ustad Allarakha Khan on Tabla, Pandit P. Madhukar on Harmonium and Pandit Ram Narayan on Sarangi. 🙏🙏🙏
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Vocalist Pandit Chidanand Nagarkar
Born in 1919 in Bangalore, Chidanand Nagarkar, began his training in music under Shri Govind Vithal Bhave. At a very young age he moved to Lucknow to pursue his chosen path under the guidance of Pandit S. N. Ratanjankar at the Marris College of Music, now known as Bhatkhande Vidya Peeth. A brilliant musician, Chidanand grew to become one of the foremost disciples of Pt. Ratanjankar and gained a wide repertoire that included Dhrupad, Dhamar, Khayal, tappa and thumri. He was known for his fast-paced concerts, wherein he combined his thorough training with a supremely confident, flashy style.
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Vocalist Shri. Gandhar Deshpande
Born in Bhandara, Maharashtra now settled in Mumbai, 25 year old Gandhar Deshpande is a powerhouse of talent. He commenced his musical training at the age of five. His first gurus were his parents, Pandit Dr. Ram Deshpande and, Smt. Archana Deshpande, both vocalists and experts in Hindustani music; he is further honing his skills under the able guidance of Pt. Dr. Ram Deshpande for Gwalior, Jaipur, and Agra Gharana gayaki by ‘Gurushishya Parampara’, from past 15 years.
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Vidushi Dipali Nag of Agra Gharana
Very few people leave an indelible impression in our lives through a personality that is forceful, yet amiable, dominant yet graceful and, principled yet flexible. Such a personality was Vidushi Dipali Nag. In those days when women singers from cultivated homes were almost a rarity, she stood out as a source of inspiration because of her entry as an educated girl into the world of true professionals, pioneering the spread of Classical and semi-classical music among the ladies.
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राग परिचय
हिंदुस्तानी एवं कर्नाटक संगीत
हिन्दुस्तानी संगीत में इस्तेमाल किए गए उपकरणों में सितार, सरोद, सुरबहार, ईसराज, वीणा, तनपुरा, बन्सुरी, शहनाई, सारंगी, वायलिन, संतूर, पखवज और तबला शामिल हैं। आमतौर पर कर्नाटिक संगीत में इस्तेमाल किए जाने वाले उपकरणों में वीना, वीनू, गोत्वादम, हार्मोनियम, मृदंगम, कंजिर, घमत, नादाश्वरम और वायलिन शामिल हैं।